Wednesday, December 17, 2014

Sample Sale



      Last year, when I attended a class at Vogue Knitting Live, a fellow student, who was also a yarn shop owner, said that only about 30 percent of knitters who entered her shop came in with a plan in mind. The rest were happy to find inspiration from shop samples and eager to join other customers who were making the same project.  Another shop owner in the group concurred with this estimate. 

     In typical fashion, for me, I’m not one of the majority.  I always seem to be on the edge of things—uneasy in my acceptance in cliques or clubs.  And that sense of never quite fitting in applies to making projects displayed in yarn shops or in joining thousands of other individuals knitting the same wildly popular garment found on Ravelry.  I see knitting and fashion as intertwined, and believe that a person’s fashion choices should be based on the considerations of height, weight, body shape, coloring, personal aesthete, etc.  I’m five feet two inches tall and know that if I knit up and wore the popular Outlander-inspired cowl on display at my local yarn shop (a large, twisted piece created using three strands of bulky yarn held together and worked with size 50 needles) I would look like a mouse peering out of a man's knit cap or a top-heavy load ready to tumble.  For me, the effect would be overwhelming—the same way that sporting a wide-brimmed hat would make me look—in the words of my late grandmother—like a “bug under a cabbage leaf.”   Unlike tall women, the only statement I would make when wearing an over-sized cape or shawl (especially one in bright colors or with bold geographic shapes) is to resemble a swaddled traveler on the steppes of Siberia (before the days of Thinsulate jackets). 

     So I know it is important to create flattering, individually suited garments, but, by the same token, I love the infectious enthusiasm shop samples evoke in patrons and have enjoyed being an amused onlooker at my local yarn shop, witnessing groups of women choose skeins to make the same design, sharing camaraderie and a sense of adventure.  And I have to admit that while I enjoy my quiet early-morning moments spent perusing knitting books and magazines to find the perfect pattern just for me, I sometimes enjoy a knit-along (organized or informal) inspired by shop samples.  





I was inspired to knit this when the yarn shop owner's daughter was selecting yarn to make this for herself.  On Ravelry there
are 149 projects posted of this design.  I haven't finished or blocked this yet.

     While the shop sample isn't finished and on display yet, I was snared when Lynn, the owner of Cottage Yarn, recently showed me a pattern for an upcoming January knit-along of the All Colors Sweater.  By local designer Amy Gunderson of Universal Yarns, this item incorporates 137 colors of yarn.  Yes, 137!  The strands are spit spliced together. (I looked up this technique and surmised that I will have to stay well hydrated when working this cardigan.)  I can’t wait to make this beautiful garment that not only offers the challenge of working with so many colors but also involves another daring task I’ve experimented with only once before—steeking.  I wonder how many other victims will fall prey to the lure of this ambitious knit-along, especially if they have a chance to see a sample of this item on display!  I am sure I won’t be alone.  Luckily, yarn shops will be making up and selling kits for this project, so that individuals in humble circumstances like my own won’t use up two years’ worth of yarn shopping funds on one garment.  This sweater is also simple in its shape and should look flattering on a variety of heights and figure types. 

I've been wanting to make a project with Liberty Wool for ages and a Debbie Bliss pattern for Fair Isle Legwarmers should work well with these colors.  I'd better get these done before the All Colors knit-along.


     Ultimately, a knitting hobby provides the opportunity to carefully consider personal style and tastes, wardrobe needs, and preferences for yarns and knitting techniques.  But it also allows for succumbing to seductive sample temptation—like the time I was enticed by an item on display at Vogue Knitting Live, inspired to make a cape with bulky yarn—an outer-garment that dwarfed my frame and triggered profuse sweating.  I’ve now frogged this item and am using the beautiful Debbie Bliss Como yarn (a cashmere and wool blend no longer manufactured) to work up a more modest-sized Cabled Cowl I found in The Art of Seamless Knitting.  I hope this garment becomes one of my wardrobe staples.  At present, only nine other people have posted this project on Ravelry, but maybe when I wear my completed work I’ll inspire some others to join in making this quick knit.  

This is the start of the Cabled Cowl.  
     
I have to admit that I enjoy when other people see my works in progress and decide to knit the same item.  At a recent Tuesday night knitting group, I proudly displayed the Fair Isle Cowl on my needles and waxed poetic about my new-found passion for the Fair Isle technique.  I could tell that I'd piqued an interest in one woman.  Her eyes looked wider.  And brighter.   I later found out that she’d returned to the shop several days later to buy numerous skeins of yarn to make the same cowl. I'm happy to have a companion for this project.  And maybe someday with time to create original designs, I can enjoy a similar satisfaction by watching other knitters create them.   


Yesterday, during a trip to Barnes and Noble, I was lured by a British magazine packed with a
 kit to make this tape measure cover.  This little bear knit up quickly.


Wednesday, November 26, 2014

Escape to Fair Isle






Last Saturday, I rose early, grabbed my knitting project—a Fair Isle poncho from Vogue Knitting Holiday 2014—and set about finding a movie available on Amazon.  I selected Le Weekend, a film summed up as follows by Rotten Tomatoes: 

“In Mr. Michell's magically buoyant and bittersweet film, Jim Broadbent and Lindsay Duncan play a long-married couple who revisit Paris for a long weekend for the first time since their honeymoon, in hopes of rekindling their relationship-or, perhaps, to bring it to an end.” 

As I plied my needles while the movie unfolded, I had to pause the streaming video at one point to call my husband to come watch a scene that struck me deeply with its dark humor.  On a Parisian street the sixty-plus husband runs into an old friend from Cambridge.  The friend, played by Jeff Goldblum, is a whirlwind in action, an author, with the right artsy and intellectual friends and gamine French wife (number something), May to his December, who adds charm to the soiree he hosts, one to which he invites his old school chum and his wife.  At the dinner table at the party, Goldblum waxes poetic about his old friend Nick, a “college professor” and elaborates on how his chum encouraged him to read good books and to think about the world.  Nick rises to speak, but, rather than gush his thanks, unleashes a litany of woe, how his son is a “pothead” who watches TV all day, how he is a mere teacher at a polytechnic institute that “perpetuates idiocy,” how he is broke, how he has been asked to step down from his job for making an insensitive comment to a student, and how his wife is about to have an assignation with another man later that evening.  Goldblum and the other guests are nonplussed, but Goldblum’s teenaged son, visiting from the States, smiles broadly and says, “Awesome!”

I had to laugh at this scene, as its irony hit awfully close to home.  Since early August, my husband and I have been going through some stressful life situations and disappointments that have left us defeated at times and, at others, struck in wonder by the absurdity that sometimes characterizes human existence.  The son’s insouciant attitude in the scene from Le Weekend also perfectly illustrates the seemingly Teflon exteriors of teenagers (an age group with whom I spend most of my time as I teach high school English and my own sons are 14 and 17), as all too often they seem impervious to the serious nature of what is going on around them—as well as to their parents’ admonitions about the long-term consequences of their actions. 

Nick’s dinner speech also reminded me of a Christmas letter sent out by my father years ago.  A book publisher and bon vivant, my father was an omnivorous reader and consumer of culture with an unquenchable appetite for life's pleasures.  As he reached his seventies, however, he found himself ailing with plenty of time to ruminate.  He began his Christmas correspondence by including Lord Byron’s poem “So We’ll Go No More a Roving,” a work which aptly expresses the sentiments of a man who must forsake satisfying earthly desires as “the sword outwears its sheath,/And the soul wears out the breast.”  Then, like the husband in Le Weekend, my father proceeded to share his host of woes:  his brain tumor, prostate cancer, temporary paralysis due to injuries incurred during a car wreck, detached cornea, etc., finishing off his catalog of complaints by relating how wife number four had recently left him when he was in the hospital!  The note included lots of wry witticisms to break the tension, but I’m sure many of its recipients were as taken aback as the dinner guests in the Paris flat in the movie. 

Sharing personal ailments and upsets in the manner of Nick, or my father, isn't appropriate for a knitting blog, so, instead, I’ll discuss how I’ve found solace.  After a particularly emotionally draining Friday, I woke up at 1:00 a.m. plagued by troubling thoughts, so I reached over to my nightstand for a neglected volume a friend had given me months ago.  I flipped open to a random page of The Four Agreements by Don Miguel Ruiz (described on the cover as, a “Toltec Wisdom Book”) and proceeded to read the chapter where the author tells the reader, “Don’t take it personally,”  and then elaborates on this concept.  His words were so apt, that I relaxed and went back to sleep.

The following night at my friend Elizabeth's birthday dinner, I recounted to Maria, a woman next to me with whom I’d been chatting, how a co-worker had rebuked me in a harsh tone the day before and how I’d been trying to tell myself not to “take it personally.”  Maria smiled and said, “Have you read Don Miguel Ruiz?”  I had to laugh at another situation with an odd synchronicity and decided I needed to read a bit more of Ruiz’s volume, to see what other wisdom it could offer me.


Elizabeth, Maria, and Me


Aside from Toltec wisdom, I have used another method to navigate recent stormy situations, including one this past week where my Marmaduke-sized hyperactive dog ate half of a ten-dollar bill belonging to my husband, Dennis.  A very frugal person who can find creative ways to serve the same ham four nights running, my spouse was deeply disturbed by the dog’s devil-may-care action and blase attitude towards chastisement.  Dennis had difficulty easing his distress, but I found solace in knitting--Fair Isle in particular (a method with which I was inexperienced until attacking my recent project).  I found that this working using this technique provides excellent stress relief for the following reasons:

The colorful patterns and clear and easy to see, so mistakes don’t go unnoticed and are, therefore, not able to cause major trouble rows down the road;

Only two colors are worked at time on any given row, so the tangled nightmares of Intarsia or other color work are avoided;

The craft has a long history, one with mysterious and romantic origins, so when working Fair Isle patterns it’s easy to forget the everyday routine of cinder-block school, modern sub-division, and surly teenagers in both places and imagine oneself in a flowing gown in a windswept cottage on the rocky coast of Fair Isle;

And, finally, the vibrant colors are mood boosters, and one works with alacrity in anticipation of color changes, in anticipation of seeing how the next hue will play off of the others in the design.


I'm using Cascade 220 Fingering for this project.  



I hope I am done with my Fair Isle poncho by my next blog post and that my future writings are a bit cheerier.  Despite current problems, I am truly grateful for the blessings in my life this Thanksgiving.  Without trials and tribulations I might not appreciate these gifts. 


My Thanksgiving turkeys are enjoying their yearly freedom from the cupboard.  



While I have been trying to be very frugal, this lovely pink colorway named "English Rose" was too pretty to resist.  My cat thought so, too, and had to check out this new addition to a basket he has claimed as his own. I have to hurry and finish my Fair Isle project, so I can cast on with this yarn.   






I finished this cropped sweater about a week ago, using Adriafil Knitcol yarn.  I was eager to get started with real Fair Isle knitting after seeing the colorful results shown here using self-striping yarn.  


Sunday, November 2, 2014

Just a Little Patience



I finished this Triangle Tulip Shawl from Brooke Nico's book Lovely Knitted Lace yesterday.  It is made with Malabrigo Worsted.  It is intended to be a Christmas present for my aunt, but now I am in a dilemma as my impatience makes me want to give it to her now.  

“Know your own happiness. You want nothing but patience- or give it a more fascinating name, call it hope.” 
-Jane Austen, Sense and Sensibility

I could never do that.  I don't have the patience."  Every time I hear those words in reference to my knitting, I experience mixed emotions--both an urge to laugh and a sense of frustration that people have such a misconstrued understanding of me and of the nature of my hobby.  I am an impatient person. A person who, when aiming to make a right turn and faced with a long line of cars at a stoplight, will cut through an adjacent parking lot. A person who, when young, quit entry level jobs in publishing (highly coveted by recent college grads), as I was unable to bear the notion of waiting for my turn to rise through the ranks and gain a position where I would make a decent living and have some autonomy.  A person who, in her early-twenties-eagerness to  get life started on a large scale--big house, fine meals--hitched my wagon to a dark horse with an eerie physical resemblance to John Gotti, one whose depths of dysfunctional arrogance and unbridled ambition were worthy of any reality show star.  A person who later still wanted a big house and found herself in a crumbling two-story residence replete with a rotting balcony, squirrels in the walls, and several unusable fireplaces, a domicile that was virtually too dilapidated to inhabit and so financially draining that my husband and I have still not recovered from this early marriage mistake.  

Alas, sometimes in spite of our best efforts to hurry up and reach tomorrow's goals, life forces us to be patient.   And in these very moments of resigned waiting (when I am experiencing sometimes unbearable impatience), knitting fills the void.  I knit in the waiting room of the doctor's office, at my sons' football games, in the wee hours of the morning when I am sometimes itching to get up and begin my to-do list but know that turning on lights and clomping around would be unwelcome by the rest of the household, or at least by my husband (as teenagers sleep so soundly I could run the vacuum with music turned up loud enough to hear over the machine's roar and my sons would probably continue their snoozing).  And while knitting has its rhythmic, relaxing properties, ultimately there is always an element of impatience coupled with any project. The desire to finish spurs me on and either results in a finished item in a few weeks time or works in progress--especially those made with airy light yarn--that rest in bags stuffed into my closet or hanging from hooks in a my knitting nook.  

With the Christmas season suddenly encroaching on my basking in the cooler temperatures and bright colors of fall, I am determined to slow down and not set any goals that will result in my knitting like wildfire in every spare moment.  I need to engage in the moments of knitting--the process over the product.  I also need to bring this same skill to my new job, working each day to grasp the school culture, the expectations, the students' levels of ability, and not focus so much on reaching my goal of being accepted and valued.  Those things take time.  

I also need to focus on waiting patiently for the summer, for a planned trip to England.  In the interim that means fewer meals out and a moratorium on yarn shopping and weekend getaways.  Fortuitously, though, in the heat of summer, some former coworkers and I had planned a weekend trip to the mountains before a generous invitation from my friend in England (blogger Mrs. Thomasina Tittlemouse).  So last weekend, six women and I headed to Black Mountain, North Carolina, for some much-needed rest and for a visit to the Southeaster Fiber Arts Festival (SAFF) in nearby Asheville. 


These felted bobbles were on sale at SAFF.

Tonya, my former roommate at Vogue Knitting Live in New York back in 2013, enjoys her new-found knitting skills picked up our Manhattan trip, and Dawn is a crocheter who is also a talented graphic and visual artist.  The other women who traveled with us weren't fiber artists but enjoyed attending SAFF and seeing the displays and vendors.  And, of course, petting the animals was a highlight of our day. 



I exercised self-restraint on this trip and spent less that eleven dollars on some sock yarn. Of course, I couldn't resist purchasing a handcrafted yarn swirlette, a revolving holder for a ball of yarn. While this contraption might seem gimmicky, I have loved using this.  The yarn ball stays neat and tidy and doesn't end up tangled with pens, paper scraps, loose yarn, etc. in the bottom of a bag.  

My yarn swirlette with one of the two skeins of sock yarn I bought.  


On the Friday evening before our planned day at SAFF, the seven of us attended a haunted tour at In the Oaks, a 1920s mansion built in the style of a Tudor English country manor by Franklin Silas Terry, an industrial magnate.  The house is now the property of Montreat College. Volunteers, some of them descendants of the the original owners,  dressed in period garb reminiscent of Downton Abbey and played the roles of In the Oaks residents.  

Left to Right:  Lisa, Dawn, Darla, and Tonya in the gymnasium of the mansion.

Left to right:  Vicki and Genny.  


The guide tells us about the "Dutch Room" in the Prohibition-era mansion.  This room has
a double-layered door for muffling noise and access to a hidden wine cellar.



On Sunday, our group said and good-byes and went in various directions.  Dawn and I drove to the farmers' market in Asheville to purchase apples and some other seasonal fare and then drove back to Black Mountain for lunch in a German restaurant on the way home.  









I am certain that sharing a house together required a bit of patience on the part of my fellow travelers.  I know that in my exuberance to maximize the opportunity for a weekend away, I'd planned an exhausting schedule of activities and realized (after the fact) that a trip to a vegetarian restaurant with tofu in nearly every recipe wasn't particularly welcomed by the group.  (As Asheville is an artsy city populated by numerous Birkenstock-sporting vegans with unruly hair, I couldn't fight the schoolteacher in me and had to plan a foray to The Laughing Seed to expose my friends to a little local cuisine.)  While I enjoyed my sweet-potato-filled quesadilla, some of the women were a little hesitant to order--although that fact may have been due to the hot dogs I had espied some of them eating at SAFF!

Ultimately, though, whether the weekend required patience, indefatigable energy, or a sense of humor, the time away was enjoyed by all.  So much so, that the seven of us who shared a house are eager to do so again.  But I'm not getting online to look for dates right now.  I am looking forward to my big trip this coming summer, though that time seems so far off.  In the meantime, I'll be patient.  I have plenty of knitting projects to fill the hours.